Binding : Paperback
Pages : 160
Publication Date : 3/26/2008
Condition : BRAND NEW
Stephen Shore (b. 1947) is a true artistic innovator whose work has opened up new frontiers for contemporary photography. His photographs of American scenes unveil the exceptional beauty to be found in the everyday. As one of the first art photographers to work in color, Shore pioneered such contemporary genres as the diaristic snapshot (later taken up by Nan Goldin and Wolfgang Tillmans) and the monumentalized landscape (as later practiced by Becher-school photographers Thomas Struth and Andreas Gursky). This monograph offers the first complete examination of Shore's long and storied career, from his residency at Warhol's Factory to his experiments in conceptual photography; from his landmark series AMERICAN SURFACES to his continued exploration of emerging techniques. Shore's high-key portraits of America's chromatic landscape can be found in the permanent collections of major museums all over the world. From Publishers Weekly This survey of photographer Shore's images juxtaposes some of his precociously early work as part of Andy Warhol's Factory with the now classic color photographs of American life from the '70s and Shore's most recent black-and-white pictures. The book is organized into four sections, each focusing on a different set of images. Art historian Fried's disorganized interview with the artist kicks things off with a selection of images from Shore's two career-making books, Uncommon Places and American Surfaces. Critic Lange's wordy overview of Shore's artistic progression examines images from the same periods as the books. Photographer Sternfeld contributes an in-depth analysis of one photograph, taken in 1974, of a street in a small town in Massachusetts. The book closes with images selected by Shore himself, alongside his own writing and extracts from texts that he admires, including a paragraph about Chinese poets, who accept the world exactly as they find it in all its terms, and with profound simplicity therein find sufficient solace. It's a shame that Shore's section isn't longer, as that line perhaps explains his exceptional body of work more completely than any of the learned musings that precede it. (June) Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
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