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Lachapelle Land: Photographs by David Lachapelle

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$ 174.00
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$ 174.00
Publisher : Simon & Schuster
Binding : Hardcover
Pages : 152
Publication Date : 1996
Condition : USED - VERY GOOD
Definition :
A clean book with unmarked pages, firm binding, no foxing, unsoiled, and that it is as close to new as possible but it is not brand new.
David LaChapelle is the hottest young photographer working today. You've seen his celebrity portraits and fashion photography in Vanity Fair, Details, Paris Vogue, The Face, The New York Times Magazine, Arena, and on MTV. Now, for the first time in book form, more than 160 of his best and most outrageous images are brought together. Originally trained as a fine artist, LaChapelle turned to photography as a teenager, first working professionally for Any Warhol's Interview magazine. His career has grown steadily every since, but it exploded with the development of his signature style in the early 1990s. This book features LaChapelle's most striking photographs from the incomparably wide range of his work. A lively afterword by him provides a glimpse into his unique world. Legendary Japanese graphic artist Tadanori Yokoo designed the box and the book's covers, using elements from LaChapelle's pictures, especially for this book. From Publishers Weekly In the afterword to this dizzying collection of his photographs, fashion and celebrity photographer LaChapelle says: "If there's an exhibitionist left who wants his or her picture taken, I'll be there." His pictures of the famous and not-so-famous in outrageous poses and situations bear this out. Following Truman Capote's dictum that "good taste is the death of art," he shoots Faye Dunaway flat on her back on top of a limousine, Tom Jones hanging off a truck in a pink cat suit, a porn star in Times Square on an overstuffed chair surrounded by balloons, naked people piled up in Plexiglas boxes and other bizarre scenes, all in garish colors. It's a matter of pride with LaChapelle that the magazines that buy his pictures?Details, Paris Vogue, The Face, Vanity Fair?love his craziness, and he and his subjects wallow in it. Like children trashing a grownups' party, they smash the furniture, scatter the debris and smear everyone with Reddi Whip and cake frosting, giggling all the while, creating swirls of eye candy that will delight those who cherish style and equate surface and substance. This celebration of high camp comes packaged in a gaudy box designed by Japanese graphic artist Tadanori Yokoo. Copyright 1996 Reed Business Information, Inc. From Library Journal Exemplifying the blurring of lines between photojournalism, advertising, and art, these four collections of celebrity portraiture are less a record of high aesthetic achievement and more time capsules of the last decade's pop-culture infatuations. Observed side-by-side, the books highlight the photographers' individual styles and their strengths and weaknesses. Ritts's ability to capture his famous sitters' personalities at the height of expression reveal a self-consciousness in Corbijn's brooding, grainy portraits. But Ritts's Westonesque attempts at freezing the body as sculpture can seem pretentious next to LaChapelle's giddy, campy celebrations. Harkening back to the Hollywood photography of George Hurrell, Gorman's works stand apart for their simple elegance. The Gorman, LaChapelle, and Ritts books are all oversized and lavishly produced?perhaps a drawback, as the box LaChapelle is shipped in will be immediately discarded and the many fold-outs in Ritts will undoubtedly tear. Ultimately, these volumes will be of most interest to fans of the sitters. Art libraries should have the Ritts book?the official catalog of a controversial Museum of Fine Arts, Boston, retrospective?and the LaChapelle, whose vividly colorful works express the most individual style, if not depth. Public libraries that already have Ritts's last collection (Notorious, Bulfinch, 1992) can pass over this familiar work in favor of Gorman's genial portraits of today's stars.?Eric Bryant, "Library Journal" Copyright 1997 Reed Business Information, Inc. From Booklist Libraries will, of course, have to ditch the box this comes in. Since the front of the box and the back book cover are identical, that's only half bad, though it m